Issue I (XVII) · 2024

Martyria, January–June 2024, Issue 1

January - June 2024
Imagine
Published
June 2024
Contents
14 studies
Bilingual edition

Studia Theologica

7 studies
01 God’s love, the call to communion 02 Building a Christian Marriage: St John Chrysostom’s Guide to Temperance, Comfort and Fellowship 03 The Individual in the Context of Assisted Reproduction: A Theological Approach 04 The Death of Contemporary Society. The Link between Pastoral Care and Science, Using the SARS-CoV-2 Virus as a Pretext 05 Fulgențiu of Ruspe. The Conditions of Penance. 06 On God’s goodness 07 Research sources and related topics in the history and iconography of Polovragi Monastery

Studia Humanitatis

5 studies
08 The Image of Light in Eminescu’s Poetry (II) 09 Capela Hill. A place of legends and untold stories 10 The links between the Romanian-speaking world and Greek-speaking Orthodoxy, as reflected in several manuscripts from Cernica, produced by the scholar Naum Râmniceanu (I) 11 Ghenadie Georgescu – a hierarch close to his priests 12 From the voivode’s tomb, into the blessed and most beautiful reliquary. The discovery of the relics of Saint Constantine Brâncoveanu, the Martyr Voivode

The Words of the Fathers

1 study
13 [A saying] by the same [John Chrysostom] on those who practise self-restraint through fasting and on the way of life of the most chosen prophets

Ars Christiana

1 study
14 A film like a lament: ‘Ecce Homo Brâncoveanu’

Issue illustration

This issue features details from the paintings of Tina Popa, an artist from Vâlcea.

Textured abstract painting: a flowering tree suggested through dense, multicoloured dabs — blue, orange, red and white — on a light ground.
Abstract painting in warm pastel tones — orange, blue and pink — with a suggested floral form, in a hazy manner.
Semi-abstract painting of a church with a tower on a hillside, in loose, expressive strokes, in greens and earth tones, with a wintry feel.
Abstract painting in warm earth tones — orange, ochre and green — with a suggested bird-like form, textured.
Textured abstract painting, in warm tones of orange, ochre, green and white, with organic forms.
Abstract painting in muted violet and green tones, with a large pale bell- or dome-like form.
Relief work with a winged angel's head, with white incised lines on a bronze-green ground.
Abstract expressionist painting, with vivid splashes of yellow, blue and white, suggesting a burst of bird or flower.
Abstract painting dominated by blue, with a swirling form, on a yellow-green ground.
Expressive semi-abstract still life: a vase with blue and red blooms, in vigorous strokes, on a warm ground.
Abstract painting of a flowering tree: a canopy of dense, round, multicoloured dabs above dark trunks, with snow at the base.
Expressive bouquet of white, red and mauve flowers in a vase, in textured strokes, on a warm ground.