Anton Maria del Chiaro

Ars Christiana No. I (XVII) / 2024 A film like a lament: ‘Ecce Homo Brâncoveanu’ Elena Dulgheru

Dan Pița’s film Ecce Homo Brâncoveanu (2024) re-enacts the martyrdom of Prince Constantin Brâncoveanu and his family, drawing on a Christian lament and a historical parable, with Dorel Vișan in the role of the steward Cantacuzino. The review highlights a low-budget film with laudable iconic ambitions, but one marred by modest set design, uneven acting and insufficient resources.

Studia Humanitatis No. I (XI) / 2021 On the deposition and beheading of Saint Constantin Brâncoveanu: details from the domestic chronicles Dr. Oana-Mădălina Popescu

The study analyses the causes of the deposition and beheading of Saint Constantin Brâncoveanu (15 August 1714), based on domestic narrative sources — the chronicles of Radu Popescu, the Anonymous Chronicle, the accounts of Anton-Maria del Chiaro and Dimitrie Cantemir — and the Ottoman documents published by Mihai Maxim, demonstrating that the Cantacuzino family orchestrated the voivode’s downfall through intrigues, forgeries and denunciations, with the aim of seizing the rule of Wallachia.

Studia Humanitatis No. II (IX) / 2019 The Coat of Arms of Saint Antim of Ivire – possible stylistic interpretations Professor, PhD Mihael Palade

The coat of arms of Saint Antim Ivireanul, a silver snail in a vertical position (in pale) bearing a six-pointed star between its horns, is analysed from a heraldic and symbolic perspective in the context of the Foundation Charter of the Monastery of All Saints (1713) and the Archiepiscopal Charter of 1715, revealing that the choice of the snail expresses detachment from earthly things and the ascent towards heavenly things.

Theatrum No. II (II) / 2016 Antim — A play in four acts Rev. Prof. Dr. Codruț-Dumitru Scurtu

This four-act play recounts the life and martyrdom of Saint Antim of Ivire, Metropolitan of Wallachia, tracking his journey from his ransom from slavery by Lady Marica Brâncoveanu in 1674 on the Bosphorus to his exile and martyrdom in 1716, ordered by Nicolae Mavrocordat. The reader learns about Antim’s work in printing and liturgy, his relations with Patriarch Dositei of Jerusalem, the Brâncoveanu family and Metropolitan Mitrofan, as well as his canonisation in 1992.

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