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#Aleksandr Sokurov

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Ars Christiana No. II (XVI) / 2023 ‘The Monk and the Demon’: a philosophical take on ‘Stan Pățitul’ Elena Dulgheru
The Monk and the Demon (2016), the final film by Russian director Nikolai Dostal, based on a screenplay by Yuri Arabov, is a dramatic comedy blending folk parable, hagiographic fable and theological inquiry into the relationship between man and the devil, set in a nineteenth-century monastery. Following monk Ivan and the demon Legion through a series of fantastical adventures culminating in Jerusalem, the film raises the provocative question of whether fallen angels can be humanised through love and repentance.
Theatrum No. I (XIII) / 2022 Transfiguration through prayer in Abuladze’s film *Repentance* (I) Elena Dulgheru

The film Repentance (1984) by the Georgian-Soviet director Tengiz Abuladze, banned for three years by the Soviet authorities and released during the Gorbachev era, is the most significant cinematic manifesto against totalitarianism, rejecting dictatorship from the perspective of Christian humanism and demonstrating that any oppressive system amounts to the expulsion of God from individual and collective consciousness.

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#filmul Călugărul și demonul #Nikolai Dostal #Yuri Arabov #Christian Orthodox cinema #apocatastaza #Ioan de Novgorod #Letopisețul Novgorodului #Pavel Lunghin #Saint Nicodemos of Mount Athos #Tenghiz Abuladze

Martyria

A biannual journal of Orthodox theology and spirituality, published by the Archdiocese of Râmnic — a forum for witness, patristic study and the encounter between faith and culture.

ISSN 2501-1804 · ISSN-L 2501-1804

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